Our guest today is Warren Adler, best known for The War of the Roses, his masterpiece fictionalization of a macabre divorce turned into the Golden Globe and BAFTA nominated dark comedy hit starring Michael Douglas, Kathleen Turner, and Danny DeVito. Adler’s international hit stage adaptation of the novel will premiere on Broadway in 2015-2016 (to be produced by Jay and Cindy Gutterman). Adler has also optioned and sold film rights for a number of his works including Random Hearts (starring Harrison Ford and Kristen Scott Thomas) and The Sunset Gang (produced by Linda Lavin for PBS’ American Playhouse series starring Jerry Stiller, Uta Hagen, Harold Gould, and Doris Roberts). In addition to the Broadway Production of The War of the Roses, in recent development are The War of the Roses – The Children (Grey Eagle Films and Permut Presentations), a feature film adaptation of the sequel to Adler’s iconic divorce story, Target Churchill (Grey Eagle Films and Solution Entertainment), Residue (Grey Eagle Films), and Capitol Crimes (Grey Eagle Films and Sennet Entertainment), a television series based on his Fiona Fitzgerald mystery series. Adler’s forthcoming thriller, Treadmill, is slated to be released in September.
[pullquote] I believe in big dreams. I believe, too, that one should confront them with courage and realism and beware of those who wish to take advantage of this hunger to create and share their imagined world with others. Stay inspired and keep up the good fight!”[/pullquote]
About today’s post, Warren says, “Considering that writing a long work of the imagination (a minimum of 70,000 words which traditionally defines a novel) is time consuming and labor intensive, and considering that a reader must consume many hours in reading such a work, one can only admire the tenacity and dedication of those who follow the path of writing and publishing. Most are convinced that their novels offer insight, enlightenment, awareness and psychic value to the lives of those who will take the time and effort to read their work. They strongly believe in their talent. Many dream of that movie deal or adaptations in other languages and many harbor the validation of honors, prizes and celebrity. Who would dare inhibit such glorious aspirations? Not me. I believe in big dreams. I believe, too, that one should confront them with courage and realism and beware of those who wish to take advantage of this hunger to create and share their imagined world with others. Stay inspired and keep up the good fight!”
Currently Warren is offering a big giveaway: an unlimited number of eBooks, for each of his five novels slated to be made into films/TV series/Play in 2015 and 2016. They include The War of the Roses: The Children (movie), Target Churchill (movie), American Quartet (TV series—“Capitol Crimes”), Washington Masquerade (TV series—“Capitol Crimes”), Trans-Siberian Express (Movie), and The War Of The Roses (Broadway Play 2016). Follow this link to the giveaway.
On Rejection and Renewal: A Note to Aspiring Novelists
You’ve spent months, perhaps years, composing your novel. You’ve read and reread it hundreds of times. You’ve rethought it, rewritten it, and revised it, changed characters, dialogue and plot lines. Writing your novel is the most important thing in your life. It has absorbed your attention, almost exclusively. Both your conscious and your subconscious mind have been obsessed with it. You have read parts of it to your friends, family, former teachers. Most think it’s wonderful.
You have finally considered it finished. Armed with optimism and self-confidence, you obtain from the Internet a list of agents and begin to canvas. You agonize over whether to send your precious manuscript to one agent at a time or to a number of agents. You choose the first option. Just in case, you send it electronically, unsure of whether or not this is now standard practice. You have high hopes. You are aware of the massive changes in the publishing business, but have chosen to take the traditional path as your first option.
Weeks go by, then months. The agents are, you believe, reading it in the office, passing it around, deciding to take it on. You live on such hopes. Finally you call the agent’s office. They haven’t a clue as to who you are. Somehow, they are reminded and search through the piles of manuscripts in their office, find yours and send you back a standardized letter, perhaps out of politeness made to look like an original.
Well then, you tell yourself, it is only one agent’s opinion. You send it off to another agent. A letter comes back swiftly, similarly worded. You get bolder, send your manuscript to two agents at a time, then three, then every agent you can find. Nothing happens. “Good luck on getting published,” they tell you. “Not for us.” Sometimes there is a personal, scribbled note that says something nice and you live in its glow for days.
Years go by. You start another novel, but you are less optimistic now, less confident, unsure. You tell yourself you have not paid enough attention to the marketplace. You begin to analyze what is selling, what is not selling, what is being published. You read books on the bestseller lists and are certain you can do a lot better. You try to use these books as a guide to what is selling and you write accordingly. Nothing helps. You are continuously rejected.