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The Art of Creating Memorable Villains Whatever Your Genre

Today’s guest is Lisa Alber [1], author of Kilmoon, A County Clare Mystery. Lisa describes herself as “ever distractible,” and you may find her staring out windows, dog walking, fooling around online, or drinking red wine with her friends. Ireland, books, animals, photography, and blogging round out her distractions. Lisa received an Elizabeth George Foundation writing grant based on Kilmoon, her first novel; she is currently working on the next novel in the series.

[pullquote] This first in Alber’s new County Clare Mystery series is utterly poetic … The author’s prose and lush descriptions of the Irish countryside nicely complement this dark, broody and very intricate mystery.” —RT Book Reviews (four stars) [/pullquote]

Of her post today, Lisa says: “I write crime fiction, so I’m fascinated by villains in all their diversity. However, I notice that when we talk about ‘villains,’ we tend to think only in terms of genre fiction such as mystery, suspense, and thriller. I suppose I’m passionate about this topic because villains get a bad rap at times (in literary terms). The truth is that villainy pertains to all genres because all stories need conflict. A story is only as good as its villain.” You can connect with Lisa on Twitter [2] and Facebook [3], and on her blog [4], too!

The Art of Creating Memorable Villains Whatever Your Genre I once had a wise-woman teacher who said, “Your story is only as good as your villain.” Being a new writer, the word “villain” confused me. It had me imagining serial killers and blood-sucking demons, which wasn’t my thing. I didn’t truly understand what she meant until I started thinking of villains as tricksters. In mythology, the trickster deities break the rules of civilized life. They’re often malicious, but not always. They exist to cause transformation. They upend. They are catalysts. This is why the better your villain (trickster), the better your story. Another way to think about it is that without a good villain, your conflict can go flat. This potential story flaw applies to everything from literary novels to high-octane thrillers to romances. No writer is exempt from creating conflict, and for conflict you need upheaval. And for upheaval, you need trickster energy. To get your trickster groove on, consider the following:

Villains are the forces that oppose or seem to oppose your hero, whether human or nonhuman. These forces become memorable when they have lives on the pages that are unique, well-developed, rich in sensory detail, and multi-layered. Best yet, getting your trickster groove on while you write is one of the funnest aspects of storytelling! What are some of your most memorable villains? We’d love to hear how you get your trickster groove on!

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