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4 Options for Improving Your Fiction

[1]We writers can be impatient—not only with the process of writing and getting published, but with ourselves for not being perfect from the get-go.

We readily accept the need for intensive training and ongoing skills development for our day jobs, but when it comes to writing, we often expect to just be able to ‘do it’.

I used to be a teacher. I spent four years completing degrees in English and education, then took three more professional development courses to expand my qualifications. Once I received my first full-time classroom position, I attended workshops every few months. I never questioned the need for this type of training.

However, it took me a year or two of writing (and failing at writing) to learn that the path to becoming  seriously skilled was going to be longer and more difficult than I ever imagined. Even now, after having several pieces of short fiction published, I’m acutely aware of how much there is still to learn, and how I will never be done learning.

But that’s okay. Canadian author Daniel Griffin says [2]:

If you’ve ever looked at your writing and seen nothing but problems, I’m here to tell you it’s a good thing: you’re on the right track. To be a writer is to be a dissatisfied reader of your own prose.

So, you recognize the need to improve your craft. What options do you have?

1. Self-Directed Study

I’m putting ‘self-directed study’ first in the list because I believe, in most cases, it’s the best place to start. Options can include:

Beginning with self-directed study requires little financial investment, and gives you a chance to decide if you truly want to be a writer. It also prepares you to be a lifelong learner of your craft, which is important no matter which stage of the game you’re at.

2. Informal Writing Education

Informal writing education provides opportunities to learn from more experienced writers, but without the commitment of pursuing a formal degree or diploma. You might try:

These options can be perfect for writers who are already involved in ongoing, self-directed study, but who want to take the next step toward sharing their work with others, improving their craft, and learning more about the publication process. In terms of time, they can work for those who can’t commit to full-time study, and there are often online options.

3. Mentorship

Is there a writer you really admire who offers mentorship services? If you have the money to invest, mentorship can be one of the best ways to get ongoing, professional feedback on your work.

Look for a mentor who:

A friend of mine is working with a mentor who offers anywhere from one-time consultations to monthly consultations and feedback over the course of a year. Clients can choose what level suits them.

Here’s an example of a college-run program where students submit up to 300 pages of their work-in-progress to a published author-mentor over 30 weeks. See  Humber School of Creative & Performing Arts-Creative Writing by Correspondence [3].

Depending on the type of writer you are, you may benefit more from investing in a mentorship with an author you admire, than from investing in a handful of workshops, retreats and conferences.

4. Formal Writing Qualifications

Although you’d think professional qualifications are the best option for writers, in most cases they’re either unnecessary or just icing on the cake.

Programs can range from a certificate or diploma, to a BA, MFA, or PhD in creative writing. If you want to teach creative writing at the college or university level, or if you’d also like to get into professional editing, freelance writing, or journalism, a degree, diploma, or certificate can be useful.

The great thing about being a writer today is that many of these programs are available online or as part-time study. If you want to pursue an MFA, you may never have to set foot on campus, or you can choose courses that require only short residencies.

What Are the Best Options for You?

While each of these four options presents its own advantages, a combination of two or three is ideal.

My own compass tells me that self-directed study was a good place to start. As a busy mom of four, an MFA isn’t an option at the moment, but mentorship and online workshops are perfect options to help me improve my craft.

What writerly education have you pursued in the past? What do you hope to do in the future? 

Image courtesy of Flickr’s koalazymonkey [4]

About Suzannah Windsor Freeman [5]

Suzannah Windsor Freeman is a Canadian freelance writer and editor whose work has appeared in The Writer, Sou'wester, Grist, Saw Palm, Anderbo, The Best of the Sand Hill Review, and others. She is the managing editor of Compose: A Journal of Simply Good Writing and Writeitsideways.com. She lives in Ontario with her husband and four children.