Today’s guest is Lorin Oberweger. Lorin has been an independent editor and story development coach for almost twenty years, and her company Free Expressions also offers some of the country’s most highly regarded writing workshops. Lorin and New York Times Bestselling Author Veronica Rossi—writing together as Noelle August—are launching their new adult trilogy this month, beginning with the novel Boomerang. Says Lorin, “Noelle August is an anagram for Veronica Rossi and Lorin Oberweger. Just kidding, it’s a pen name!”
I’m interested in the topic of genre inclusion and in pushing beyond the limitations supposedly prescribed by the marketplace.”
About her post today, Lorin says, “Though I don’t pretend to be an expert on the genre, I haven’t read much about it (the new adult genre) on Writer Unboxed, and I felt moved to explore it a bit for the WU readership. In addition, I’m interested in the topic of genre inclusion and in pushing beyond the limitations supposedly prescribed by the marketplace.”
O, Brave New (Adult) World!
As a longtime publishing professional and a basic journeywoman writer, I’ve long held the mindset that any writing work is good work, that getting paid to do what I love, in any form, puts me at the tippy-top of the heap in terms of good fortune and career satisfaction.
So, I was over-the-top giddy when my friend, New York Times Bestselling Author Veronica Rossi and I sold a series of three books to Harper/William Morrow on the basis of a proposal, something that felt like the equivalent of sinking a basketball into a net one-hundred yards away.
And then came the comments:
“New Adult? Isn’t that just smutty YA?”
“Oh, it will come out in trade paperback? I’d never want to publish something that didn’t debut in hardcover.”
“But that’s not your genre. Why would you want to do this?”
Those remarks felt deflating, of course, but also curiously familiar.
In the olden days—1995—when I began my career as an independent editor, it was not uncommon for me to meet writers who, when they found out what I did, would basically sling bulbs of garlic at me and back away while making the sign of the cross.
Back then, far fewer reputable independent editors plied their trade than do now. Someone else controlled the conversation about the value of such professionals. That conversation has most definitely changed, and two decades later, I’m sought after and respected for the skills I’ve acquired and the work I do. But it took a climb to get here.
I get it. We writers live in a state that feels a little like building a house on quicksand. The ground is always shifting. Someone is always coming around to wring his or her hands and cry doom. It comforts us to feel like we understand our little patch of solid earth. We get the parameters and can tell each other how [Read more…]