Tag Archive 'Jan OHara'

Lean Writer, Fat Word Count? Engineering Your Environment for Default Success

It is a truth universally acknowledged that a writer in possession of a good premise must be in want of a functioning brain with which to execute it. Said brain is best nourished by blood pumped by a healthy heart contained within a healthy body, yes? Unfortunately, we Westerners live in an environment which discourages […]

Confessions of a Serial Non-finisher

I’ve been telling myself that no one wants to read a heavy-duty confession on a Monday morning. But since this is when my WU slot arises and since my brain refuses to cough up an alternate subject for a post, it appears we’re stuck with seeing this through. You ready? *deep breath* Hi. My name […]

Should You Set Limits with Your Readers?

A few years ago, it seemed like you couldn’t swing a deceased feline without hitting an author in the grip of a meltdown. Even if the conflict was minor, once it became public, the internet’s retribution often turned malignant. Virtual mobs would descend upon the author’s blog, clotting the comment section with hostility. Their fiction […]

Minimalism When Writing Fiction

On an evening in July 2014, along with my brother and another hundred perspiring attendees, I crowded into one of the few remaining indie bookstores in my hometown. We weren’t there for a rock star novelist, I’m sorry to say, but rather for two non-fiction writers. I’d been reading their blog for a few months […]

Lessons from the UnCon: I Surrender. I’m Finally Ready to Be Naked

If you attended the inaugural UnCon in Salem, this post is an attempt to recreate a bit of its inherent magic. If you couldn’t attend, this is one explanation of why you’ll read reviews like this paraphrased quote: “What have you people done to me? I’m forever changed and so is my writing.”  Several decades […]

Deconstructing Micro-Tension

If you had to guess, what portion of the hundred-thousand-mile journey to basic fiction-writing competence would belong to the pursuit and mastery of micro-tension? Ten percent? Thirty? I personally don’t have a clue, yet I’ve been persuaded of its necessity since first being introduced to the concept by WU’s Donald Maass. Accordingly, I’ve done my […]

Wanted: Grim Reaper As Writing Coach

Last month, through pure serendipity, I stumbled across an intellectual exercise which I’d like to recommend to all my fellow writers.  I believe it will be of particular benefit to those of you who  a) are overwhelmed with life and yearn for a reset button b) wish to clear away the cobwebs of smugness and […]

C-c-considering Cadence: Understanding One Quality of Voice

The Oxford Dictionary defines cadence as “a modulation or inflection of the voice, a rhythmical effect in written text, a fall in pitch of the voice at the end of a phrase or sentence” or simply as “rhythm”. For purposes of discussion today, I have a brief illustration of how it can affect reader experience. Consider the following […]

Because Size Matters: McKee’s Four Tips on Writing a Big Story

You know how certain types of feedback get under your skin like road rash, so that months or years later the grit is still working its way to the surface? Well, eons ago, as she contemplated a novel I’d set in my province, a critique partner sent me metaphorically skidding on the asphalt in a […]

All Hail Dilemmas: Why Your Characters Need to Make Tough Choices

Last month I began a series on story lessons learned or refined during my multi-day Story seminar with Robert McKee. (It was fantastic. If you get a chance to attend, I highly recommend it.) The first post was about cultivating the gap between reality and expectation, or Turning Points. This month, I wanted to talk […]