Archive for the 'RESEARCH' Category

Characters Welcome

Today’s guest is bestselling Kindle author Kathleen Shoop. Her second historical fiction novel, After the Fog, is set in 1948 Donora, Pennsylvania. The mill town’s ”killing smog” was one of the worst environmental disasters in U.S. history, triggering clean air advocacy and eventually, the Clean Air Act. Kathleen’s debut novel, The Last Letter, sold more than 50,000 copies and garnered multiple awards in 2011, [...]

I’m Not Above Spying

Therese here. Today’s guest is WU community member, Julia Munroe Martin. Julia is a writer and editor who blogs from one of the best places in the world–the coast of Maine. She has experience as a business and technical writer as well as a journalist, and she is currently, in her own words, “a novelist-in-progress.” [...]

Tips for Turning Online Procrastination Time into Writing Research Time

Therese here. Today’s guest is someone who’s been a WU lurker for over a year and half: L.B. Gale. L.B. works as an educator–a literacy specialist–in New York City, and is an aspiring fantasy author who received her Master’s degree at the University of Chicago, focused on comparative mythology and fantasy literature. Her favorite novels [...]

Take Your Characters to Therapy

“Every character should want something–even if it is only a glass of water.” –Kurt Vonnegut Vonnegut was right, of course. But we need to know more than what our characters want. To truly empathize with our characters, we need to know why they want the things they desire. What makes our characters tick? What limits our [...]

Research vs. Observation

Do you research your novels to the point of obsession or do you not research at all?  Historical novelists are research junkies. Coming-of-age novelists mostly rely on memory. The majority of fiction writers fall somewhere in between: They study just enough so that their settings are accurate and their characters’ occupations feel real. The rest [...]

How to Use Psychometric Testing to Create Believable Characters

Today’s guest is psychologist Vince McLeod, who runs a website called The Story Generator. Vince is here today to talk with us about the psychology of our characters–and more than that, how we might use psychological testing to help inform our fiction. Enjoy! How to Use Psychometric Testing to Create Believable Characters In order to [...]

Internal and External Inspirations

What inspires you as a writer? If you write, and especially if you’re an author who visits book groups, you’ve likely been asked that question more than once. I think the question has more than one level, as does the answer. Like me, you may not even recognize all of your inspirations until after you’ve finished a [...]

How to Be Your Own Intern

Therese here, elbowing in for a quick sec to say woohoo, our first week of donations in the Writers for The Red Cross auction has earned $450! Don’t miss this week’s packages, including “The Kitchen Daughter” Book Club in a Box donated by Jael McHenry; a signed copy of Donald Maass’s not-yet-released book The Breakout [...]

Take 5 with Cindy Pon and Shveta Thakrar: Writing Across Cultural Lines with Verve and Sensitivity

Do you love fiction with fantasy elements, but despair of writing a novel which will capture an editor or agent’s attention? Have you grown weary of the traditional fare – what Smart Bitch Sarah Wendell refers to as “vamptired”? If you’ve thought of turning to other cultures for literary inspiration, but been nervous about navigating cross-cultural lines, [...]

Creating Intriguing Heroes and Villains

Therese here–and Happy Halloween to everyone. Today’s guests are Janice Gable Bashman and Jonathan Maberry, authors of WANTED UNDEAD OR ALIVE: Vampire Hunters and Other Kick-Ass Enemies of Evil, which seemed apropos today. From their bios: Jonathan Maberry is a NY Times bestseller, multiple Bram Stoker Award-winner and a writer for Marvel Comics. He has [...]

Painting in the Blanks

Brunonia Barry on Painting in the Blanks

It isn’t the blank page that I find terrifying. It’s the idea of beginning. I can easily put words on a page, that’s not the problem. I often begin a new novel by doing something I’ve heard described as “clearing your throat.” I usually write fifty to a hundred pages that I will never use, but within those pages I often discover the entire back story of each character and the journey those characters will take together.

the research or the reader?

Every book requires research. Even if it’s set in your hometown and your protagonist is a whole lot like you, there will be some moment where you’re not sure of a fact – was the corner store there in 1994? Is it 15 miles to Waverly or 16? – and you will, in some way, [...]