ferris wheel Walt Stoneburner

photo courtesy of Flickr’s Walt Stoneburner

I can’t help but wonder if whoever designed the Ferris wheel (that would be Ferris, I’m assuming) was after a cheap, momentary thrill or if he was inspired by Fortune’s Wheel of the tarot, intentionally trying to create a carnival ride that would encapsulate life’s ups and downs.

For the truth is, we all have them—or will have them if you’re one of the fortunate few who have yet to experience any downward travels. And Fortune’s Wheel is starkly evident in the publishing world. No one is exempt. And truthfully, a person should consider themselves lucky if they don’t get Towered a time or two along the way.

We are all of us on this hairy, exhilarating ride, but, we are all on different points on the wheel. Some are going up, others coming down, and still others hanging in the air for that long, glorious moment when they are on top of the world.

Of course, people are more likely to talk about their ride UP, that thrilling ascent as they are on the rise, cresting when they reach the top and hover—sometimes for minutes, sometimes for seemingly ever.

But eventually the wheel turns. The problem is, most people keep that particular part of their ride private, not wanting to share that long hard descent with anyone. We don’t like to talk about that fall, whether it is a gentle, controlled descent or a rapid, breath-taking plummet.

The important thing to remember is that the wheel may not turn where we can see it. The descent will not necessarily be in a person’s public professional life, or perhaps they spent their early years in one big downward slide, and we will only get to see their upward trajectory. But just because we don’t see it doesn’t mean it doesn’t happen. In fact, sometimes we won’t see the downward direction because they adjust course before it becomes apparent to others.

Part of that is the nature of the business. Our success is heavily seeded in the smoke and mirror nature of publishing; the desire to create the illusion that everyone wants/loves your book so that in turn, others will love/want it, too.

But another factor is simply human nature. We don’t like to talk about our failures or mistakes. We are a society that places a huge premium on success and wealth and happiness. The downturn of Life’s Wheel threatens all of those, and so we keep silent. Which in turn only further fosters a shame over the ups and downs of life that often can’t be prevented.

A few brave souls have been speaking out on the downsides of a publishing career, the heartbreak, the rejection, the financial uncertainty, the sheer lack of control authors have, the envy that slips in, even when we don’t want it to. The reality check that provides is a really, really good thing.

In fact, I have come to believe that that is the true value of networking; connecting with enough people and being around them often enough that you get to hear them share their real story, not the marketing hype, but the slog behind the appearance of overnight success, the number of times they had to get back up and start over again, the hugely trumpeted success that never materializes. You get to be there to hear their war stories and share their battle scars. Most writers will tell you that these battle scars are a rite of passage; they are simply part of the writing life.

When my oldest son graduated from college, I asked him what he thought was the most important lesson he got out of his college experience. He thought for a moment, then said: “That everyone has their own sh!t. Everyone has bad stuff they have to deal with, even if you don’t see it.”

I feel the same way about publishing.

The truth is, if we talk with enough people who are honest about their own situations, it becomes apparent that there isn’t nearly as much to envy as we think there is.

How many times have we all heard that we shouldn’t compare ourselves to other writers? Other careers? And yet, I’ve always wondered how you don’t compare, how can you prevent it when all the numbers and markers and metrics are broadcast everywhere, from deal announcements, to sales numbers, to blog and Twitter followers, bestsellers lists and FB fans. How do you NOT see all that stuff?

And then I realized that Don’t Compare is really shorthand for, Don’t let envy erode your own path to success. That is easier for me to get my arms around. The truth is, if we talk with enough people who are honest about their own situations, it becomes apparent that there isn’t nearly as much to envy as we think there is.*

I can’t tell you how many times I’ve met or talked with high profile publishing successes who have lousy sales numbers, who are terrified of not earning out their big advance, who’ve become NYT bestsellers only to find their creative control over their own work evaporate, or dry up with the pressure to make the list again, who are expected to travel, often months on time, leaving small children behind, or who have waited years between sales, or whose second book tanked in a hugely public, painful way.

Once we know that stuff, the behind the scenes of huge successes, we see the painful trade offs that are sometimes made. That in turn gives us a better understanding of what is to be envied in our own situation, whether it is complete and utter creative freedom, low sales expectations and the lack of pressure that accompanies that, the six rabid fans who are always there to rave about our newest project, a handful of supportive indies who hand sell us like crazy, the reviewers who love us, or the opportunity to completely recreate ourselves when we go up in flames.

*(Conversely, neither is there a good reason for gloating. Even if your career appears to be Golden and Charmed, it is best enjoyed with a healthy dollop of humility, fueled by either the knowledge that fortunes’ wheel does have something to do with it, or the idea that that wheel will turn eventually, and your landing will be much softer if you have a cushion of humility on which to land.)

About Robin LaFevers

Robin LaFevers is the author of fourteen books for young readers, including the Theodosia and Nathaniel Fludd series. Her most recent book, GRAVE MERCY, is a young adult romance about assassin nuns in medieval France. A lifelong introvert, she currently lives on a blissfully quiet hill in Southern California.