Make your book—you’ll like it
Ray Rhamey on Mar 18 2010 | Filed under: Book Talk, Business
I hold in my hands a trade paperback titled We the Enemy. It’s the real thing—except you can’t buy it anywhere because this is the one and only copy.
This rare, one-of-a-kind book, written and designed by me, cost me all of $10.86 (including shipping). This is by way of Lulu.com. I couldn’t buy one at the bookstore for that.
This book is a “proof” copy of a novel that I’m going to make more copies of through Lulu in order to try to raise funding to actually print and market it. But maybe the process and results are something that you might want to try.
Places to make your book
There are three POD (print on demand) resources that I’m familiar with: Lulu.com, CreateSpace (Amazon’s POD company), and Lightning Source (the firm I’m using to publish The Vampire Kitty-cat Chronicles, and the one the big publishers use). I’ve only shopped CreateSpace, but haven’t used it yet because I could produce a book for less on Lulu.com.
Lulu.com
Lulu is carefully thought out and makes it easy. If you’re handy with software including Word and Photoshop, and can created PDFs of the results, you can design the book (cover and interior) any way you want. That’s what I did for this copy of We the Enemy.
But it can be much easier than that. You can use Word to format your book using templates provided Lulu for different print sizes—I adapted one of theirs for We the Enemy, but used my own for The Vampire Kitty-cat Chronicles.
Using their template and doing some basic type formatting, you can design an acceptable book interior and then upload the Word doc to Lulu, and they will convert it into the PDF needed for printing.
They also offer easy-to-use cover options. If all you want is one copy of your book, it’s easy to keep it simple with just a front cover and a spine. They also offer design services for a fee, but that’s going to drive your cost way up. I designed the full cover, and there’s an option for uploading a PDF of that to Lulu. To do the 5.5” by 8.5” size, you have to choose “Publisher grade” to get there.
There are plenty of sizes to choose from. Lulu’s handle for the 5.5” by 8.5” trade paperback that I produced is “digest.” They also do a 6” by 9” size, which is the other popular size for a trade paperback. I produced my writing book at first with Lulu as an 8 ½” by 11” book, but eventually invested in “real” printing for Flogging the Quill, Crafting a Novel that Sells so that bookstores would be open to stocking it.
The results from Lulu.com are “good enough.” In my experience, the interior of the book comes out just fine. The book cover on this proof copy, however, has things on a little bit of a slant. I had cover problems with the writing book too, but not after I went to a regular printing company for final production.
Lulu.com offers many tutorials and tools, including a spine width calculator for the cover, a cost calculator, etc. However, direct, personal support doesn’t really exist. They do have an extensive FAQ section that will probably cover what you need, but don’t expect anything outside of that from the company. If you want to produce a single copy, or a few copies, Lulu.com is hard to beat. They also offer a store, ISBN numbers services, and more, but I found that I could do a better job as a publisher by using Lightning Source for my final production.
Lightning Source
These are the pros, and focus on the business of printing books. They don’t provide any design services, and have tight standards for the PDFs you have to supply. While the final print cost per book turns out to be less than that of Lulu.com, there are set-up fees and costs associated with the initial proof copy that make it an unaffordable one-book source. So you have to bear the cost of interior design (which you can do with Word or a program such as InDesign), cover design (Photoshop or InDesign), and producing the PDFs needed for printing, something that I already have the software to do (Adobe Distiller).
It also costs $40 to upload a change in the text, and another $40 for a change in the cover. Lulu.com doesn’t charge for making changes or creating new versions.
The quality of the Lightning Source books is excellent, though, their service is very professional, and there’s someone to help you, answer questions, etc. Both my interior and the full cover came out perfectly.
They are partners with the big distributors, including Ingram, Amazon, Barnes & Noble, etc. If you’re producing the book for sale as I did with the vampire kitty book, this is the way to go. If I end up publishing We the Enemy myself (the most likely scenario), I’ll do it through Lightning Source and delete the editions at Lulu.com
The benefits of making your book
For one thing, it’s a real kick to hold an honest-to-God book in your hand instead of a manuscript. But, beyond the emotional payoff, you will now have an opportunity to understand, as you could in no other way, how your story works in book form.
It will read differently because you’ll react to it differently. I’ve found that I spot clumsy language or typos that I’ve missed in all the previous iterations. I also gain a better understanding of how the pacing is—or isn’t—working.
If you have beta readers that you like to get feedback from and can afford a few copies, a Lulu.com book could be the way to give them the true experience to react to, and that can be invaluable.
You can also, as I am, use these self-produced books for marketing purposes, or as ARCs (advance review copies). They’ll be good enough for that from Lulu.com.
Bottom line, seeing, feeling, and reading your real book for less than $15 or so is, for my money, well worth it.






















Thank you,
This was really helpful.
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Someone else mentioned that they use POD to print copies of all their mss, even if they don’t end up submitting or publishing them. It’s just nice to see your name on a spine on your bookshelf, you know? And it can provide that much-needed oomph to motivate you through the next ms!
Thanks for the breakdown on services. It’s always helpful to hear about other people’s experiences with products/services.
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On the bookshelf next to my desk are four of my books that I have produced through Lulu exactly as you describe. There was some effort involved in formatting and creating the cover, but it was great to be able to read it (as you said) for proofreading, as well as to actually hand a copy to family members. It is my hope that the fourth of these books will actually be picked up by a standard publisher, but until then, it’s a great deal for $11.
.-= Sarah Woodbury´s last blog ..The Great Prophecy of Britain =-.
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So many people have said to me, “Margo, why don’t you self-publish?”
Ray – am I just being stubborn beating my head against the wall pursuing the traditional publishing route?
Today, I feel like a toddler throwing a tantrum, ranting, “I want to be published traditionally!”
But, Ray, you’re smart. I value your opinion. Is there money to be made for authors who self-publish?
I understand that writers often pursue the craft for the higher and more self-satisfying rewards of creating and sharing, but what about those of us who’d honestly like to make a couple bucks at it and see our books on the shelves of big book stores? Will POD and/or self-publishing accomplish that?
Okay, I’ll stop ranting now and go clean my room, or write another book. Something. (Thanks for a great post!)
.-= Margo Kelly´s last blog ..Books and the Digital World =-.
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I love the idea of having a bound copy to hold/make edits with – I agree that editing on paper is quite different than editing on screen.
Thanks for providing a quick breakdown between some of the POD options out there! This is definitely a branch of the publishing industry I would like to learn more about!
.-= Rosalind´s last blog ..Thursday Thirteen: Books I Want To Read =-.
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Margo (sorry about the late answer, I was out of town), I think that there’s money to be made for self-publishers of non-fiction, but the odds are slim to none for fiction. I’m making my try, but figure it will take many, many months for anything to happen, if it ever does.
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For something right out of left field, I’ve just written a book for a miniature book artist and that’s really something! To hold your book in the palm of your hand! See this woman’s work on http://www.bopressmimiaturebooks.com
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I mean http://www.bopressminiaturebooks.com
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I have 2 POD books — a collection of swashbuckling novels called (appropriately enough) Classic Adventure Stories: Swashbucklers, which I did basically to learn how the POD system works, and my golf instructional book Ruthless Putting. I did both through Lightning Source, and have been really pleased with them. I don’t mind the layout work and such; it’s all just part of the project for me. Nobody has been able to tell they were POD, either.
Is there money in it? As in regular publishing, it all comes down to promotion. I see it as a trade-off — it takes longer (sometimes much longer) to build your market, but you stand to make a lot more money and control how long the book stays in print. At LSI, once the book is in print, it only costs $12 a year to keep it in print. I think you can make money in both non-fiction and fiction, as long as you’re willing to take the time to build your market.
.-= Mike Southern´s last blog ..And Now, For Something Completely Useless… =-.
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Oh, and one other thing… don’t overlook the idea of making a Kindle edition. My golf book has sold nearly as well for the Kindle as it has in paperback — I never would have guessed that when I started! The best thing is that the Kindle edition doesn’t cost anything to create; you just use Mobipocket’s free ebook creator and create a file with no DRM (Amazon owns Mobipocket), then submit it through Amazon’s DTP site.
It’s not a hardcopy you can put on your shelf, but it’s certainly another outlet for self-publishing.
.-= Mike Southern´s last blog ..And Now, For Something Completely Useless… =-.
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I’m a Lulu author since last October – I’ve printed a couple of novels in Italian (one I put on sale, the other just for me), but mostly my graphic novels. Haven’t sold a copy so far.
But the idea of having a proof copy to copy edit is good, I might use it for my English novels in the future (although I’d like to have them published traditionally, as I’m very bad with marketing myself). I do keep printed copies of former drafts and maybe a printed book will take less space in my bookshelves! ;-)
Googling “Lulu complaints” I found out that sometimes retiring stuff from Lulu doesn’t retire it completely because a copy remains on their server. I don’t know about that (I retired my comics to re-issue them with my other pen-name, Barbara G.Tarn, but haven’t checked if the “Barb” copies are still out on Amazone – one was before I retired it)…
Great post on POD! :-)
.-= Barb´s last blog ..My 6 impossible things =-.
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