The signs were not good.

Oh, I had a plan. In December, I’d outlined the whole book from beginning to end. Made sure I’d figured out the plot holes in advance. Had a killer resolution in mind. The plan was solid.

I knew I was getting into trouble around mid-January when my page counts began to dwindle. I pressed on despite the doubts creeping in. Things would jell soon, I told myself. First drafts are always crappy. Blah de blah. Press on.

I did. I kept pecking away. But then the characters stopped talking. Just clammed right the eff up.

I forced them to talk. Sometimes I had luck if I flaffled around with some dialogue that I knew would end up getting cut during revisions, but the goal was to get the logjam to clear so the characters could come alive again. Wasn’t happening this time.

I woke up earlier than usual yesterday with the thought already in my head before I even became fully awake: scrap it. This one ain’t gonna happen. Start again.

And lord, did I fight the notion for about a day. As a writer, I was used to doubts. But as soon as I allowed myself to entertain the possibility of an alternative plan, the paralysis ebbed. The characters, long silent, began to come out and play. By the end of the day, they were meandering through the skeleton of a plot, one that showed a lot more potential.

I think I’m going to be all right. Sometimes you have to go backwards before you can go forwards, and listen to your writer’s intuition, even if it’s telling you things you don’t want to hear.

Have you had a similar experience? Did you fight it or give in? What was the result?

Image by jvg246.

Kathleen Bolton is co-founder of Writer Unboxed. She has written two novels under the pseudonym Cassidy Calloway: Confessions of a First Daughter, and Secrets of a First Daughter--both books in a YA series about the misadventures of the U.S. President's teen-aged daughter, published by HarperCollins.
Kathleen Bolton