Milestones, Goals and Rewards
Ann Aguirre on Sep 09 2009 | Filed under: Inspirations, REAL WORLD
It seems like in this business, the mile markers are always changing. For instance, long before I sold a single book, I told myself if I ever sold ten, then, at that time, I would feel like I’d “made it.” First off, what did that mean to my younger self? A reasonable amount of security in my chosen profession, certainly, which includes the promise of more contracts and a solid reputation. I assumed, at that point, I would feel like those established authors whom I’d admired for so many years. I assumed I would have their same knowledge, experience and effortless self-assurance.
I’ve now sold eleven books and I can’t say I possess the sense of having “made it.” I’m pleased with my accomplishments but I don’t feel secure. I do wonder if there ever comes a point where one can take this for granted. If there is, I haven’t hit it yet. So it makes me smile when I think of me, mark 1, looking at this from the other side.
I have to wonder if the authors I’ve idolized simply present a collected exterior while secretly hiding a cluster of quiet fears, but it’s not the sort of things one can ask someone in a random email. I find it amusing how the point of view changes as you travel down the road. At one time, simply getting an agent to read my manuscript seemed like a huge deal. An offer of representation would’ve been as unattainable as the moon.
As I made tiny steps forward, my goals changed, of course. They are now are very different than they were ten years ago. But no matter where you are in your career, there are always new mountains to climb and I think it’s important to look on those as challenges rather than obstacles. I was excited when I first began to sell on proposal; it meant a great deal. Then I came up with an idea for a YA, but before we can pitch it, I have to write it. Not a partial or a proposal — the full manuscript. But I don’t mind at all. While I’m proven in adult fiction, now I need to produce the goods in this new market, and I’m totally stoked about tackling this new opportunity.
It’s also crucial to reward yourself for attainable achievements. You can’t control whether you receive an offer of representation or sell a book. You can control whether you finish a book in the timetable you set forth, or if you send out so many queries in a month. And if you do the things you’ve set out to do, that offers a sense of accomplishment and you get less of that awful spinning-your-wheels feeling. This can be a tough business, and it’s hard to work alone long hours a day without any tangible evidence of that your work is worthwhile.
What are your milestones and goals and how do you reward yourself for meeting them? What advice do you have for other writers in this regard?






















Excellent post, Ann.
Especially this part: “You can’t control whether you receive an offer of representation or sell a book. You can control whether you finish a book in the timetable you set forth, or if you send out so many queries in a month.”
Keep plugging away until you achieve your goals, then set new ones!
Like?
0
I was going to earmark exactly the section Alan quoted! Smart advice. You also can’t control how many of your books sell, or what people will think about them. The only thing you can control is the work itself.
My personal goal right now: Write a second book that excites me as much as the first did. Reward: Yet-to-be-determined fantastic vacation.
Like?
0
I’m having a little trouble with my goals right now. Maybe you guys can help me.
I just finished the first draft of Shady Lady, the third book in my Corine Solomon series. It’s quite rough, but I always revise before I let beta readers take a look at my work. My firsties are too ugly for public consumption. That’s all standard. The polished book is due January 15.
I’ve just sold a couple more romantic suspense, and the first one will be due Jan 31. As long as I start by November, I’ll be fine on that.
So now, I’m supposed to write a YA on spec for which we’ll do a wide pitch. Here’s my dilemma. Do I stay with Shady Lady until it’s revised and send it out to beta, then move on? Or do I go to work on Razorland, while letting SL rest a bit? Each offers a different benefit. I work better in a linear fashion, so the first way lets me complete SL before moving on. On the other hand, it doesn’t give me much distance from the manuscript before I start revisions. What if I miss something? But then there’s the problem of stopping work on Razorland at some point to revise SL. I don’t work well with interruption; it’s best to write straight through.
So what would you guys do?
Also, the reward for finishing a project for me is always a new handbag. *g*
Like?
0
I would finish up Shady Lady because that is something set in stone. Make it pretty and send it out to your betas. It will give them enough time to do a reading and get back to you.
I am more prone to write straight through and then revise, but that is just me.
What makes you comfortable where you won’t be bashing your head against the desk or reaching for a few shots of something hard?
You are my idol! :D
Like?
0
If you don’t work well with interruption maybe you should just hit SL hard with revisions now, then send it out to CPs and/or betas. You’ll look at it again once you get their feedback anyway, and that’ll free your mind to work on RL. How long do you think the revise will take? You’re so fast, Ann — blows my mind!
Like?
0
I totally relate to the changing goals thing. I went from unsold to 5 books sold in less a year. It does things to you mentally. Unbalances you. Makes you reassess in a big way.
As for the projects, I’m a linear worker too, so I vote for completing one then moving on.
Like?
0
Great post, Ann. Did you climb inside my head? ;-) Everyone has their own way of approaching things. My way might not be your way, but I’d finish A before I start B. I’m not too fond of interruptions, either.
Like?
0
I like to finish something before starting something new…but, I didn’t with one of my stories. I hit a wall and had this other story busting to get out so I took the advice of a friend and wrote the new story. I wrote it in 2 months flat– including edits. For me, it was huge! Then instead of going back to the other story, I’m now starting another story.
But in your case, I think that perhaps you should finish SL. If you want a break from it, just plot and jot ideas for Razorland, then edit SL and then write RL.
And I always set goals for myself…although I don’t always reach them. And I rewarded myself by sending it to a publisher. (still have fingers crossed) If they buy it? Then I’ll REALLY celebrate! :D
Like?
0
I like to put a first draft away for about 2 months in order to look at it with fresh eyes before reworking it and sending it to my Trusted Readers. During that time, I work on something else, which I then put aside while I go back and work on the first thing.
Although, truth be told, due to deadlines, I often have to work simultaneously on several projects at once.
What is your timeline for the YA? Is there any flexibility in it?
From the way it seems you like to work, it seems to me as though you’d be most comfortable getting SL in shape for your readers FIRST and then moving to the YA; that seems the strongest way you’re being pulled, from reading your material.
I would work on the YA and then go back to SL, but that’s just the way I work –it might not be best for you. It sounds as though, even without the time lapse, SL is pulling at you strongly right now, so go with it.
Like?
0
I say stay with SL, finish it and then move on. There’s no good in having two partially-finished things, especially if you’re a linear worker. Stay the course with SL!
Like?
0
I do always write the first full draft before revising. Otherwise I get bogged down in tinkering and I can’t finish. In the usual course of things, I’d take a week off and then revise Shady Lady. Then I’d start writing the next book. I’m just worried that I won’t be able to get the YA done if I do that before I start Skin Privilege in November.
I need to be done with Shady Lady & Razorland before I move on to the romantic suspense, either way.
I’m toying with this notion: leaving SL alone while I fast draft Razorland. No stopping on Razorland. I’ll do 5k a day for 14 days, which will yield a 70K book, suitable length for YA. Then I’ll leave that alone to revise Shady Lady, during which time Razorland will be resting. I can then send Shady Lady out to beta, and revise Razorland. That’ll also go beta. At that point, I’ll be free to move on and start writing Skin Privilege.
Since the YA has no deadline, and SL is Jan 15, that allows ample time for me to get it finaled. I’ve never done it quite like that before, but I think it could work. I’m worried about revising SL now because, while I don’t like leaving things unfinished, I am also a bit tired of it, and I think I need to see other projects for a while. ;)
Like?
0
I’m toying with this notion: leaving SL alone while I fast draft Razorland. No stopping on Razorland. I’ll do 5k a day for 14 days, which will yield a 70K book, suitable length for YA. Then I’ll leave that alone to revise Shady Lady, during which time Razorland will be resting. I can then send Shady Lady out to beta, and revise Razorland. That’ll also go beta. At that point, I’ll be free to move on and start writing Skin Privilege.
Sounds like a smart plan if you can toggle without losing your mind. Again, Ann, you totally amaze me with your pace! You go, girl.
Like?
0
Well, I think I need the break from SL because I tried to revise yesterday and I only got through 13 pages. My heart wasn’t in it. I need to put the ms down and let it breathe for a bit, so I am wearing my editorial hat when I come back to it.
5K is a cracking pace, but I had been doing 6 and 9K toward the end of my progress on SL without brain damage. I’m not sure if I could sustain 5K a day long term, but I know I can do it for 14 days. I have long suspected that our brains can do whatever we train them to. 3K used to be super hard for me; I struggled all day to hit that goal, and now that it’s my norm, if things are going well, I can do that in 3 hours. I’m not sure I’m interested in training up to 5K a day as my norm, though. But for one project, it’s doable.
Like?
0
If you can let Shady Lady go temporarily, then I say put it on the back burner and write Razorland, as long as you feel comfortable that will still give you enough time to meet your deadline for SL.
I like taking a break between first draft and revisions–makes it easier to see how to fix things, I think! :)
Like?
0
I’m with the others, “finish” SL as best as you can then while it’s in other people’s hands work on Razorland.
Actually that’s a problem I’m having right now is that I’ve had sparks of inspiration and started so many things that now I don’t know what to finish. I want to write them all, but it’s making me feel discombobulated.
Plus nearing the end of my sub list for Corpse Blood I am tempted to try to fiddle with it to make it, I dunno, better in some way.
Like?
0
I really don’t know how to advise you, but I just wanted to say thanks for this great post. It’s a really nice little introspective.
Like?
0
I would do what works best. Anything else doesn’t (duh). Great article. All I need to do is get those goals written down and pursue them for myself. I’m such a procrastinator….
Like?
0
I think stay with SL and trust your betas to help you find glitches you might have missed this time. I too really like to give my betas super clean copy, but sometimes there’s just not time. Especially if you really draft better in one go.
Good luck!
Like?
0
Okay, reading through, what I’m hearing Ann is that your internal voices are telling you to put down SL and blast away on the other. It’s what you’re wanting to do in your heart and I’m a believer in following those instincts. Writers are creatures of the subconscious, after all.
Like?
0
Hi Anne :)
Thanks for a great blog post.
I was wowed when I read your word count record!
The words must have come fast & furious.
You must have been “in the zone”.
For me, as an unpublished author, I set daily word count goals.
Distant goal is the completion of the novel.
After that is the sending it out.
And after that it is out of my hands.
:)
All the best,
@RKCharron
xoxo
Like?
0
wow – you manage a seriously impressive word count! I reckon you should go with what you WANT to do. You have such a serious writing work ethic I really don’t see how you can muck that up.
Good luck!
Like?
0
Getting things done is itself a reward. I like to redirect it back into focusing more and more on getting things done — it’s self-perpetuating.
For example, I’ve been working six days a week at my job, but lately I’ve found when I relax on the 7th day, it only makes me more frustrated and dissatisfied than ever because I haven’t made time for things that make me feel good, like writing.
Like?
0